It has been a long while since the public saw or heard from Daniel Day-Lewis. Following his statement in 2017 that he would no longer work as an actor, prior to the debut of Phantom Thread, Day-Lewis withdrew from the spotlight. Yet, during his hiatus, his legend expanded further.
The Mythos Surrounding His Method
Largely, this reputation centers on his preferred style of working. As someone known for disappears into his characters – for instance, while filming Lincoln, he had Steven Spielberg call him “Mr. President” throughout the shoot – audiences has become increasingly obsessed with how he works. Did he really send messages to co-star Sally Field as Abraham Lincoln? Was it accurate that he only eat game he hunted for The Last of the Mohicans? And did he demand receiving food via spoon for My Left Foot?
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Now, Day-Lewis is back in the limelight, somewhat reluctantly, for his new film Anemone. And he is using this to express his anger at how the Method technique is perceived. “I am somewhat annoyed these days to hear all kinds of people gobbling off and saying things like ‘fully embraced the Method’, which I think is meant to imply that a person’s behaving like a lunatic in a drastic way,” he told a major publication. “People tends to focus on the less important aspects of acting, and these elements always seem to involve some form of self-flagellation or a situation that imposes upon oneself a severe discomfort or psychological strain. But of course, in the career of an actor, it has to mainly focus on the inner transformation.”
An Industry of Imitators
To be honest, this sounds as if Day-Lewis has emerged from his retreat only to discover shocked by the world that has been created in his image. When you are regarded as one of the greatest performers in history, and your approach involves striking a prop until you break your nose (in Gangs of New York) or enduring 48 hours in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that other actors will attempt to fill that vacuum by trying to mimic their idol.
In other words, we now live in a landscape full of half-cocked imitators of Day-Lewis who want nothing more than to show the world the extensive degree of effort they put into their roles. On the milder side of this trend there are performers such as Lady Gaga, who was so desperate to win an Oscar with House of Gucci that she spent the whole campaign attempting to persuade people that she transformed into functionally Italian for a year and a half in preparation.
Additionally, there is Jared Leto, who chose to immerse himself into the role of the Joker (for Suicide Squad) through sending “horrifying” gifts to his castmates. These items, according to various accounts, included dead pigs and rats to intimate objects and used condoms, although Leto denied those worst excesses. And then, naturally, there is Jim Carrey, who immersed himself so fully into Andy Kaufman for Man on the Moon that filmmakers literally managed to get a feature-length documentary from behind-the-scenes footage of him making life as impossible as he could for his colleagues.
Contemporary Method Practitioners
The foremost practitioner of the Method at the moment seems to be Jeremy Strong (once Day-Lewis’s assistant), whose process during Succession was so rigorously detailed that it became the basis of a derisive New Yorker profile, full of quotes from individuals who were worried about his conduct (“The toll on himself that worries me,” said co-star Brian Cox) or annoyed beyond all measure by it (“I remember [him] making others roll their eyes,” stated an unnamed co-star).
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There are so many other examples. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio slept in an animal carcass during The Revenant. It’s quite possible that actor Austin Butler continues to talk in the style of Elvis, years following the movie’s release. Each of these instances, to some extent, aims to evoke the dedication with which Day-Lewis takes his craft.
An Admirable Yet Challenging Fight
And, while his fightback against method detractors could be commendable, a brief promotional cycle may prove insufficient to change anyone’s mind, let alone their behaviour. Perhaps if he wants to make audiences recall the true essence of the Method, or to demonstrate what it can achieve, then the optimal strategy for Day-Lewis is to just start making more films. Certainly we could all support that idea.